JAMIE CREWE
CURRICULUM VITAE
jamiecrewestudio [🧿] gmail [🤡] com
SOLO EXHIBITIONS AND PROJECTS
2024: Defixiones, Radclyffe Hall, Glasgow, SCT.
2022: False Wife, digital project.
2020: Ashley, LUX, London, ENG.
Love & Solidarity, Grand Union, Birmingham, ENG.
Solidarity & Love, Humber Street Gallery, Hull, ENG.
2018: Pastoral Drama,Tramway, Glasgow, SCT.
2017: Female Executioner, Gasworks, London, ENG.
2016: But what was most awful was a girl who was singing, Transmission Gallery, Glasgow, SCT.
2015: Wives and sodomy, Glasgow School of Art MFA Degree Show, The Glue Factory, Glasgow, SCT.
2014: A milky bath in the 60s, Glasgow School of Art MFA Interim Show, The Reid Gallery, Glasgow, SCT.
2013: Male efflorescence, S1 Artspace lobby, Sheffield, ENG.
COLLABORATIVE PROJECTS
2021: A luxury, a short film commissioned by Edinburgh International Book Festival as an accompaniment to Shola von Reinhold’s novel LOTE (2020).
PERFORMED WORK
2017: Potash Lesson, as part of the Lichtspiele series, KW Institute for Contemporary Art, Berlin, DEU.
2016: Potash Lesson, as part of Artists’ Moving Image Festival 2016, Tramway, Glasgow, SCT.
SELECTED GROUP EXHIBITIONS
2023: Ridykes’ Cavern of Fine Inverted Wines and Deviant Videos, Nottingham Contemporary, ENG.
Screen Series, The New Museum, NYC, USA.
ADULTS ONLY, Transmission, Glasgow, SCT.
2022: British Art Show 9, various venues in Manchester, Plymouth, Wolverhampton, and Aberdeen, ENG and SCT.
2019: STILL I RISE: FEMINISMS, GENDER, RESISTANCE, ACT 3, Arnolfini, Bristol, ENG.
I, I, I, I, I, I, I, Kathy Acker, Institute of Contemporary Art, London, ENG.
STILL I RISE: FEMINISMS, GENDER, RESISTANCE, ACT 2, The De La Warr Pavilion, Bexhill on Sea, ENG.
2018: KW Production Series (with Beatrice Gibson), Julia Stoschek Collection, Berlin, DEU.
Home of Multiple Occupancy (HOMO), Transmission, Glasgow, SCT.
Cellular World, GoMA, Glasgow, SCT.
2017: As The Story Was Told, Catalyst Arts, Belfast, NIR.
EDITIONS
2023: False Wife Comments, printed book, 708 pages, 104 x 147 x 42mm. Edition of 40, plus artist’s proofs.
2021: Dereliction, full colour digital print, 420 x 297mm, unlimited edition for a limited time, for QUEER HOME, a print series organised by Lesbians and Gays Support the Migrants to raise funds for Lesvos LGBTIQ+ Refugee Solidarity.
Addenda to Ashley, a mail art package containing Travis playing the part of Ashley (a text by Travis Alabanza, risoprinted in gold on green A4 paper), Ashley's nights (a set of four laser prints of script and drawing on A5 fluorescent red card), and Ashley's oil (a scent co-composed by Jamie Crewe, Charlotte Percival, John Turrell, and Tom Turrell, spritzed onto a gold foil-printed card), unnumbered edition of 100, printed by the Holodeck, Birmingham, for LUX.
2019: Forfeiture, photocopy on fluorescent yellow paper, 420 x 297mm, edition of 40, signed by the artist, for the De La Warr Pavillion.
2018: Miserable wretch, silkscreen print in black and fluorescent orange ink on Somerset Satin, 594 x 420mm, edition of 35, signed by the artist, for Glasgow International.
2017: Potash takes spironolactone, silkscreen print in black and silver ink, with a woad wash, on Somerset Satin, 420 x 297 mm, edition of 50, signed by the artist, for Gasworks.
SELECTED PUBLICATIONS
2022: The Moon Spins The Dead Prison: An Anthology of Abolition, a publication by School of Abolition (illustrator).
2020: ON CARE, a journal edited by Rebecca Jagoe and Sharon Kivland, published by MA BIBLIOTHÈQUE (contributor).
2017: GLAIRE, a chapbook published by MA BIBLIOTHÈQUE (author).
ARTIST'S TALKS
2022: DEMONIC HALF-PERSON: Positions or states of inhumanity, and things that are not quite people. Presented at Open School East, the Ruskin School of Art, Edinburgh College of Art, Whitechapel Gallery, and Northumbria University.
2021: ARSON: Gleeful destruction—yearning for transformation—ending in flames. Presented at Sheffield Hallam University, the University of Cambridge, and Konstfack University.
2020: PEOPLE HAVE COME: Courting—and avoiding—publicness. Presented to camera for LUX Scotland.
xxxx: MILK, CURDLING, MOULD: A source, an agitation, and a creeping, secret, or subtle element.
HIGH WALLS: Barriers to access and visibility.
EMBRACE AND SHOVE: Creating intimacy or distance; ending intimacy or distance.
DAPHNÊ: Dissolution of clear boundaries between practice and life, between inspiration and illness; practice as the most appropriate articulation of fugitive selfhood.
CACOPHONY: Speaking in multiple registers at once.
GUILTY FAIRY: Accountability and its gaps.
BAD STUDENT: Wilful or indulged lack of diligence—wet, warped scholarship.
FESTIVAL SCREENINGS
2023: False Wife, as part of the ‘Currents’ strand at the 61st New York Film Festival, New York, USA.
False Wife, as part of the ‘New Cinema Award’ strand at the Berwick Film and Media Arts Festival, ENG. 2022:
False Wife, as part of the ‘Competition’ strand at the 35th European Media Arts Festival, Osnabrück, DEU.
PROGRAMMING
2024: Two screenings (WHOLE BODY LIKE GONE and SUDDEN FLASH) for 37th European Media Arts Festival, Osnabrück, DEU.
2023: Winter School, a weekend of screenings, conversation and activities organised by LUX Scotland at Hospitafield, Arbroath, SCT.
2020: How She Survived, an online screening with Grand Union and Humber Street Gallery.
Men’s Work, a screening, CCA, Glasgow, SCT.
2018: Rustic Prologue, a screening, Tramway, Glasgow, SCT.
Bucolic Coda, a screening, KW Institute of Contemporary Art, Berlin, DEU.
AWARDS
2023: Recipient of a Paul Hamlyn Foundation Award for Artists.
2022: Shortlisted for the Jarman Award.
2022: Recipient of the EMAF Award for groundbreaking work in media art (35th European Media Arts Festival, Osnabrück, DEU).
2020: Recipient of a Turner Bursary.
2019: Winner of the Margaret Tait Award 2019/20.
POISONOUS RELATIONSHIP
2023: DEEPER / ROMANCE (double a-side)
"DEEPER" (music video)
2020: LITTLE CALF (LP)
"ASH LAND" (music video)
2016: A FAGGOT IN A TEMPEST (LP)
"GIVE ME MY HEAVEN!" (music video)
2013: Garden of Problems (LP)
"Men's Feelings" (music video)
2011: Our Sex Life Is Brutal (LP)
Imposter / My Brothers (double a-side)
2010: Marked For Death(EP)
I Lost You (EP)
New Evil (EP)
I Don't Miss Him (EP)
Midnight Stoner Fuckfest, Gay Weed Lovers (EP)
